Sunday Film Festival

Sunday, September 5
Time Namaste Hall Room 311

9:00 AM

10:00 AM

12:00 PM

1:00 PM

3:00 PM

5:00 PM

7:30 PM


Breakfast

Saddam's Mass Graves

Break for Lunch

Innowhereland

Jiyan

Song for Beko

Closing Remarks




Time for Drunken Horses

Break for Lunch

Saddam's Mass Graves

Saddam's Mass Graves

Saddam's Mass Graves


INNOWHERELAND
Hiçbiryerde (Turkish)
Nirgendwo (Kurmanji)

After losing her Kurdish husband following political persecution, the widow, Sukran is very careful about how she brings up her only son Veysel. She is always anxious to keep him away from any political activities. Then, one day, he disappears. Refusing to believe her missing son is dead, Sukran journeys to southeast Turkey-- "Innowhereland". Arriving in the ancient town of Mardin, she meets with hostility and bureaucratic indifference, until some people claim to know where the boy is hiding. Directed by Tayfun Pireslimoglu, and starring Zuhal Olcay, Michael Mendl and Parkan Otzuran.

Montreal World Film Festival, Special Jury Grand Prix Award 2002

International Istanbul Film Festival, Best Actress Award 2002

Radikal Newspaper, Audience Award 2002

International Mediterranean Film Festival, Jeune Public Award 2002

Turkish with English subtitles (Turkey, 2001). Text courtesy of London Kurdish Film Festival.

JIYAN (Life)

Five years after the infamous chemical and biological bombing of Halabja in Iraqi Kurdistan by the Iraqi military, Diyari returns to his homeland to build an orphanage in what is left of the town. He meets Jiyan, a ten-year old orphan and a survivor of the chemical attack, doomed to live with a burn scar covering most of her right cheek. A strong bond between the two ensues and later he names his orphanage after her. During the course of his stay in Halabja, Diyari meets a colorful bunch of townsfolk, many of whom remain physically and/or psychologically marked with the effects of the chemical agents. Among them is Jiyan's only living relative, Shêrko. In addition to building the orphanage, Diyari brings a spark of hope and happiness to Shêrko's and Jiyan's lives. Directed by Kurdish-American Director Jano Rosebiani.

Winner, Special Jury Award, New Director's Showcase
Seattle International Film Festival 2002

Winner, Best Film, "Man and His Environment" Award
International Film Festival Festroia 2002
Setubal, Portugal

Official Selection, Tiger Competition
International Film Festival Rotterdam 2002

Honorable Mention, Best Feature
In The Spirit of Freedom Award, In Memory of Wim Van Leer 19th Jerusalem Film Festival 2002

Winner, Popular Jury Award
Rights to Have Rights Film Festival 2003
Modena, Italy

Kurdish (Sorani dialect) with English subtitles (Iraqi Kurdistan, 2001). Text courtesy of Evini Films.


DOCUMENTARY: SADDAM'S MASS GRAVES

The Anfal Campaign masterminded by Saddam Hussein and carried out by "Chemical Ali," was a genocidal action that sought to annihilate Kurdish villages and Iraqi Marsh-Arab communities beginning in 1988. Over 270 mass grave sites have been discovered so far, containing 300,000 bodies. 1.2 million Kurdish and Shi'a Muslim men, women and children have been executed by Saddam's regime since 1975. This documentary presents interviews with family members, human rights workers, and politicians showing the discoveries of the mass grave sites into which most of the Kurdish and Shi'a Muslims had been thrown after their deaths. This film is Kurdish-American Director Jano Rosebiani's most recent film.

Kurmanji, Sorani, Arabic, and English (Iraqi Kurdistan, 2003)


A SONG FOR BEKO
Klamek Ji bo Beko (Kurmanji)

Nizamettin Aric made his directorial debut and also stars in "A Song for Beko", one of the first films in Kurdish. He also scripted and starred in this eloquent film, as well as composed and played its musical score. Aric was himself imprisoned for speaking the Kurdish language in public and exiled from Turkey. Beko begins his long pilgrimage -- in search of his brother -- in Kurdish areas of Turkey, where he escapes arrest. Fleeing into Syria, this modern-day Odysseus then makes his way into the serenely beautiful highlands of the Kurdish areas of Iraq. Here, in a nomadic community caring for refugee children, Beko finds himself and a homeland. But inevitably this peace is broken. "To be a refugee is a Kurdish fate," says Aric. "The more the people of the world know about us, the more we can hope. That is why I made this film."

Winner, Special Jury Award
Fribourg International Film Festival (Switzerland) 1994

Kurdish (Kurmanji dialect) with English subtitles (Germany/Armenia, 1992). Text Courtesy of HRW Film Festival.


TIME FOR DRUNKEN HORSES

Bahman Ghobadi's tragic yet unsentimental first feature is influenced by his own childhood in Iran's Kurdistan. In a remote Kurdish village on the Iran-Iraq border, five motherless children endure hardscrabble lives, heavily burdened by responsibility and loss as a smuggler's mule. Ayoub (Ayoub Ahmadi) and his young sister, Ameneh (Ameneh Ekhtiar-Dini) work at a bazaar to earn money while simultaneously caring for their tiny, ill brother, Madi (Mehdi Ekhtiar-Dini), who suffers from a form of dwarfism. When a landmine kills their smuggler father, Ayoub must provide for the family, despite his young age. He joins the smugglers, carrying heavy loads on his back through the snowy mountains toward Iraq, while dodging the constant threat of ambush and mines. Pressure on Ayoub increases as poor Madi's illness worsens. An operation in Iraq is Madi's only hope, yet Ayoub's earnings barely cover the family's necessities. A possible solution arises when the children's eldest sister, Rojin (Rojin Younessi) enters an arranged marriage with an Iraqi, who promises to pay for the operation. With its sparse dialogue, rough settings, and intimate view of Kurdish life, Ghobadi's first feature film is a simply told and very powerful tale.

Farsi and Kurdish (Sorani dialect) with English subtitles (Iran, 2000). Text Courtesy of Troygift.com.